THE NOMADS

My interest in photography began in childhood, growing up in a nomadic family in the rural Ogaden region of Ethiopia’s Somali State.

The first time I encountered a camera was when a foreign journalist came to our village. I was fascinated by the strange apparatus in his hands and by the possibility that it could capture and preserve what I saw around me. That encounter sparked my curiosity and planted the seed of a lifelong love for photography.

A few years later, I had the opportunity to study in a more developed city. There, I immersed myself in the arts, particularly painting. My art teacher recognised my determination to learn and the rapid progress I was making. Some of my paintings were eventually displayed throughout the school. It was during this period that I began to understand the power of visual storytelling and its ability to communicate experiences beyond words.

A decade later, that early fascination with images evolved into my dream of becoming a photojournalist. I wanted to document my world through photography and create a space for the stories of pastoralists and herders people whose lives, knowledge, resilience, and relationship with the land had shaped my own understanding of the world.

The Nomads grew from this desire.

The project explores the everyday lives of rural and pastoral communities across East Africa, focusing on their traditions, knowledge, resilience, and the challenges they face as their ways of life continue to change. Through photography, I seek to move beyond representations of these communities as distant or unfamiliar, instead offering an intimate view of the people, places, and lived experiences that have shaped me.

The Nomads is both a personal journey and an ongoing conversation with a world I know intimately—a way of returning to the people and landscapes that first taught me how to see.